Repainting the Green House with the Pier

foggy-morning-pier

I started to paint the green house and the pier on a foggy day. The interweaving of light and dark under the pier, reflection, different lines and shapes, and muted colors motivated me to paint this view.  However, the view did not translate well into the painting.

gray-day-painting

Repeated small shapes and muted colors made the painting dull. The light cerulean blue top was an attempt to introduce cooler tone to otherwise gray and warm surroundings.  It somewhat helped the painting but that was not enough.  After painting into the evening, most of the issues were still not resolved.

painting-sunny-day

I revisited the painting a day later with a fresher look. Inspired by the sun, I decided to warm the gray to match the surrounding. The busy pier was simplified. The right-hand side house was changed to a darker color.  The deck was removed to get rid of the problematic diagonal. Fish totes were redrawn as larger shapes. The foreground was updated with more details and a few lines to make it interesting.

greenhouse-and-pier
The painting is getting better than a few days ago but I thought it still needed a strong line somewhere. I found a solution from a Stuart Davis’s work “The Blue Cafe“.  It has a few lines and a musical note on the sky. It was a floating shape but without it, the sky would have been void. I took the inspiration from this musical note and created 2 short dark horizontal wires with different heights below the top wire.  I was happy with this ending.

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